![]() ![]() ![]() To put that fanciful figure into its rightful context, consider that jitter here is as low as ☒0 μs (microseconds) and that one microsecond is to one second as one second is to 11.574 days! Do the math. ![]() Synchronising multiclock to a master DAW relies on a sample-accurate audio clock stream, which, in turn, guarantees gloriously-tight clock signals to within ☑ sample of jitter - jitter being defined as the undesired deviation of a periodic signal from the ideal timing. The key to multiclock’s reliability and innovation is its ability to acquire a variety of sync signals from an Audio Sync track, as opposed to relying on a MIDI Clock signal. Doing this is easier said than done from a technical standpoint, so how has E-RM Erfindungsbüro apparently achieved the impossible with something so small and simple to use, then? Put simply, it is built to overcome all of the well-documented problems associated with achieving tight synchronisation of sequencers, drum machines, arpeggiators, and other external equipment with each other and also within the workflow of a DAW. Multiclock’s ‘mission impossible’ is to therefore act as a one-stop shop for creatively synchronising all kinds of musical equipment to a master DAW with the greatest of ease and, obviously, precision. Professional audio synchronisation specialist E-RM Erfindungsbüro is proud to announce availability of multiclock - an ultra-reliable multi-channel, multi-format sync box that builds a musical bridge between DAWs and external (MIDI, DIN Sync/sync24, and analogue modular) musical gear like no other by converting clock signals for tight integration into digital production workflow without troublesome timing issues, as well as providing helpful and creative realtime shift and shuffle controls to independently compensate for sloppy slave machine delays and also add groove to each creative channel - as of August 12. ![]()
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